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Meanwhile, the Sewol ferry disaster in April brought about a widespread sense of pessimism and despondency in Korean society as a whole.

It also caused some concern for the film industry, given that several of the summer season's most anticipated releases (Roaring Currents, Haemoo, Pirates) are maritime action/thrillers.

Among independent films, Han Gong-ju, which premiered at the Busan International Film Festival in October 2013, enjoyed a particularly successful commercial release for a film of its size, after winning a number of high-profile international festival awards.

It's only later, after she's left the studio and is riding the bus, that she sees her reflection in the window and realizes that something fundamental has changed. Of course, none of her family or acquaintances can recognize her in her new guise.

But one day she receives a painful blow which catches her off guard.

Her son and the rest of his family would like her to move to a nursing home.

This may have simply been the result of the films on offer, rather than any general waning of interest on the part of the local audience.

Nonetheless, there was a sense of Korean cinema coming back to earth after the heady days of 20.

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